JUDGMENT : M. Sundar, J. 1. Mr. P.V. Balasubramanian of M/s. BFS Legal Law Firm is before this Commercial Division on behalf of the sole plaintiff. Mr. Najeeb Usman Khan, learned counsel on record for both the defendants is before this Commercial Division. 2. To be noted, first defendant, which is a private limited company, i.e., VVT Hotels Private Limited, I am informed, runs second defendant, which is a Hotel. The suit pertains to copyright, which the plaintiff company claims in sound recording, which are in the nature of songs in Cinematographic Film. The list of songs forming subject matter of the suit in which the plaintiff company claims copyright is adumbrated in the schedule to the plaint. I deem it appropriate to extract the said schedule, I do so and the same reads as follows: Panchlait Pyaar Hai Panchlait Gaa Bhaiya Gaa Kaa Mahto - Haan Mahto Saajan Saajan Panchlait Firangi Sahiba Russ Gayiya Sajna Sohne Jiha Tu Jit Jawna Gulbadan Sahiba Oye Firangi Shaadi Main Zaroor Aana Jogi Main Hoon Saath Tere Pallo Latke Tu Banja Gali Benaras Ki Mera Intkam Dekhegi Jogi Feat. Aakanksha Sharma Jogi Feat. Shafqat Amanat Ali Main Hoon Saath Tere Feat. Shivangi Bhayana Tu Banja Gali Benaras Ki Feat. Shafqat Amanat Ali Tu Banja Gali Benaras Ki Feat. Asees Kaur Mera Intkam Dekhegi Feat. Aakanksha Sharma Jogi Feat. Shafqat Amanat Ali Main Hoon Saath Tere Feat. Shivangi Bhayana Tu Banja Gali Benaras Ki Feat. Shafqat Amanat Ali Tu Banja Gali Benaras Ki Feat. Asees Kaur Mera Intkam Dekhegi Feat. Anand Raj Anand Qarib Qarib Singlle Khatam Kahani Tu Chale Toh Tanha Begum Qarib Qarib Singlle Mashup Jaane De Jia Aur Jia Nach Basanti Na Shukre Na Jaa Jia Aur Jia Theme Tu Hai Mera Sunday Thodi Si Jagah Dhundlo Tum Yeh Mera Man Tu Hai Mera Sunday Yeh Jo Pyaar Hai The Final Exit Dum Maro Dum Maro Rabbi Dhola Banjara Lathe Di Chaadar Ama Teri To Secret Superstar Meri Pyaari Ammi Main Kaun Hoon Sexy Baliye Nachdi Phira I Will Miss You Sapne Re Hadh Hadh (Male Version) Hadh (Female Version) Parwardigara Ek Baar Patel Ki Punjabi Shaadi Punjabi-Gujarati Sagai Song Whats Up O Mata Rani Meri Mehandi Sitti Maar Ankhha Churave Maro Line Bareilly Ki Barfi SweetyTeraDrama Nazm Nazm Twist Kamariya Bairaagi Badass Babuaa Baraat Company Title Song Belagaam Tum Jaan Lo Maula Maula Super Singh Glorious Gallan Ho Gya Talli Kalliyan Kulliyan Hawa Vich Dobara Kaari Kaari Humdard Ab Raat Malang Ab Raat Humdard Kaari Kaari (Reprise) Dear Maya Saat Rangon Se Kehne Ko Sune Saaye Saat Rangon Se - Acoustic Version Buri Buri Dear Maya (2017) Promo Songs Behen Hogi Teri Jaanu Tera Hoke Rahoon Jaanu Teri Yaadon Mein Tenu Na Bol Pawaan Tenu Na Bol Pawaan Reprise Jai Maa Bahubali 2 Jiyo Re Bahubali Veeron Ke Veer Aa Soja Zara Jay-Jaykara Shivam Half Girlfriend Baarish Phir Bhi Tumko Chahunga Thodi Der Mere Dil Mein Tu Hi Hai Pal Bhar (Chaahunga Reprise) Lost Without You Stay a Little Longer Half Girlfriend (Love Theme) Mere Dil Mein Mirza Juliet Tukda Tukda Mohabbat ko misuse Seene Mein Lagi Aag Teri Razamandi Mohabbat ko misuse(Remix) Trapped Hai Tu Dheemi Trapped Theme One I Am Trapped Poorna Kuch Parbat Hilaayein Poori Qaaynaat Baabul Mora Kuch Parbat Hilaayein Jeena Isi Ka Naam Hai Qubool Hai Mujhko Tere Ishq Mein Bhigade Jeena Isi Ka Naam Hai Sochti Hoon Lattu Kaagaz Si Hai Zindagi Kaagaz Si Hai Zindagi(Slow Version) Hind Ko Napak Ka Jawab Jung Hai Humri Aatankwad Se System Hil Gaya Thank You For That Tujhe Paa Ke Aa Gaya Hero Lohe Da Liver Aa Gaya Hero Lo Hoigwa Police Wala Don Mahiya UP ka Don Dirty Flirty Kung Fu Yoga Goosebump Raees Udi Udi Jaye Zaalima Laila main Laila Yeh ishq ka hai mausam Bewajah chahu Tere ishq mein Teri adaao mein Jeena toh hai Tum jo mile Dangal Haanikarak Bapu Dhakad Dangal Title Track Gilehriyaan Naina Idiot Banna 30 Minutes Yara Tere Kutte Fail Tumhe Bhi Meri Yaad Soona Saara Lage Jadoo Sa Chhaya Tere Ishq Mein(Duet) Tere Ishq Mein(solo) Take it easy Yeh Hai Judgment-Hanged Till Death Dil Mein Kayi Armaan Raabta Tujhse Raha Jashn Manale Re Vande Mataram Rare & Dare Six X Sajan Sawan Banni Soniye Soniye(sad version) EK TERA SAATH Aye Mere Khuda Ek Tera Saath Pakeeza Saiyyan Queen Humsafar 2016 THE END Umariya Pagli Tanu Tadka Rawa Dil Gulabi ANNA Annapurna Dharti Ek Shaam Churale Yaara The Last Tale Of Kayenaat Tum Mile Sab Arma Jage Tere Pyar Ka Mile Na Mile Zara Dil Mein Aankhon Mein 31ST OCTOBER Yaqeen Andhere Rabb De Bande Andhere-Male Version Maula Umeed Reprise Fuddu Tu Zaroorat Nahi Tu Zaroori Hai Curves Mere Killerrr Killerrr Tum Ho(Punjabi Version) Fuddu Title Track Tum Ho Fuddu Ka Jalwa Aakhon Mein Chaar Din Dil Toh Hai Idiot Rock On 2 Jaago Udja Re you know what I mean Manzer Naya Tere Mere dil Who Jahaan Hoi Kwi Ishq Mastana Yeh Toh Two Much Ho Gaya Meri Aawaargi Party Time Hairat-E-Aashiqui Chappan Taal Tu Maula Sunshines Music Tours and Travels Main jee raha hoo Phir se ud chala Chamdi Boys Na ho paayi No Sex Please Baar Baar Dekho Kala Chashma Kho Gaye Hum Kahan Sau Aasmaan Dariya Nachde Ne Saare Teri Khaire Mangdi Flying Jatt Title Song Toota Jo Kabhi Tara Khair Mangda Bhangda Pa Beat Pe Booty Raj Karega Khalsa Hai Apna Dil Toh Awara Chhuliya Bhool Saari Baat Meherbaan Mere Dil Ke Bhi Hai Apna Dil Toh Awara Tere Ishq Ne Nachaya FEVER Bas Ek Baar Besambhle Mile Ho Tum Kharaa Kharaa Teri Yaad Nahi Nahi Kuch Is Tarah Kya Kasak Mujhme Kabhi Look Look Daccord Carried Away Mile Ho Tum(Reprise) Teri Yaad Dil Ashkon Mein SHORGUL Tere Bina LOVE KE FUNDAY Yeh Pyaar Hai Naina Shaatir Bade Tere Bina Kudi Amul Muska Love Ke Funday KERRY ON KUTTON Dheere Dheere Ranjjo Bhaiya Great Grand Masti Teri Kamar Ko Resham Ka Rumaal I Wanna Tera Ishq Lipstick Laga K BHOURI Jhumka Liya Barelley Se Bhuka Panchii Kyon Chugta Hai Kaahe Janam Hume Kaise Piya BEIIMAAN LOVE Hug Me Mar Gaye Pyaar De Mere Piche Hindustan A SCANDALL Labon Se Long Night 7 HOURS TO GO Tere Naina Dalinder Dance Zinda Hota Mein Dalinder Dance Remix Zinda Hota Mein Reprise LOVE U ALIA Kamashi Love U Alia Sapne Sote Jagte UDTA PUNJAB Chitta Ve Da Da Dasse Has Nach Le Ikk Kuddi Vadiya Ud-Daa Punjab Udta Punjab- Title Song WAITING Tu Hai Toh Main Hoon Got My Eyes On You Waiting For You Zara Zara DEAR DAD Girha Chota Hu Main Jo Bhi Ho TRAFFIC(2016) Neki Ki Raah Keh Bhi De RUSTOM Rustom Title Song Tai Hain Tere Sang Yaara Rustom Vahi Dekha Hazaro Dafa Dhal Jaun Mein ab Tum Hote Hu Rustom Vahi (Theme) Rustom Vahi(Marathi Version) Rustom Vahi(Male Version) CLUB DANCER Hey Club Dancer Kabhi Na Kabhi Pee Daala Maine Rehti Thi Mein Bezarsi Tere Roop Da Nazaara Mama Miya ISHQ FOREVER Ishq Forever Expectation Happy Birthday Bilkul Sochna Na Mere Ankho Se Nikle Aansoo Oh My God Ishq Ki Baarish DIRECT ISHQ Direct Ishq(Title) Duwa Mein Nimboo Sa Ishq Nimboo Sa Ishq Ganga Maiya Toote Taare Mera Kissa Aan Baam Mera Kissa(Unplugged) LOVE SHAGUN Hichkiyaan Saathiya Hairaani Coffee Kalol Ho Gaya BOLLYWOOD DIARIES Manva Behrupiya Mann Ka Mirga Titli Piya Ki Nagri Mann Ka Mirga Titli 2 TERE BIN LADEN(2016) Itemwaale Six Pack Abs GLOBAL BABA Babayog(Title) Maula Baba Tharki Holi Mein Ude CUTE KAMEENA Twinkle Twinkle SANTA BANTA PVT LTD Machhli Jal Ki Rani Hai Lo Aa Gaye Santa Banta Hit Kardi Ishq Karle Anytime Tooti Boldi FITOOR Pashmina Yeh Fitoor Mera Haminastu Hone Do Batiya Tere Liye Ranga Re-Hindi Version Ranga Re-English Kya Kool Hai Hum3 ( 22 Jan, 2016) Jawaani Le Doobi Oh Boy House Party Kya Kool Hain Hum Guddu Ki Gun (30th Oct 2015) Bihari Valentine Guddu Ki Gun Ding Dong Kolkata Qutub Minar (Hindi Version) Chal Jayegi Chal Jayegi Rehbra Ve Kolkata Qutub Minar (Bengali Version) Wedding Pullav Oh Jaaniya Naseeba The Wedding Pullav Party Karni Hai Ishq Da Panga Banjaare Lagan Lagi Naseeba Oh Jaaniya pyaar ka punchnama 2(16 October 2015) Sharabi Paro Heeriye Shaandaar(22 October 2015) Shaam Shaandaar Gulaabo Nazdeekiyaan Senti Wali Mental Raitaa Phailgaya Jazbaa(October 9, 2015) Bandeyaa Kahaaniya Aaj Raat Ka Scene Bandeyaa (Reprise) Jaane Tere Shehar Singh Is Bling (2015) Tung Tung Baje Singh And Kaur Cinema Dekhe Mamma Mahi Aaja Unplugged Mahi Aaja Dil Kare Chu Che Kis Kisko Pyaar Karoon DJ Bajega To Pappu Nachega Jugni Peeke Tight Hai Samandar Main Bam Bam Billi Kat Gayee Hum To Yaaro Latak Gaye Billi Kat Gayee (Remix) Bam Bam (Remix) Jugni Peeke Tight Hai (Version 2) Meeruthiya Gangsters (2015) Meeruthiya Gangsters Babaji Ka Ghanta Mastam Mastam Hum Toh Jeete Hain Naina Tose Lage Meeruthiya Gangsters [Bonus Track] Naina Tose Lage (Female Version) Katti Batti(September 18, 2015) Sarfira Sau Aasoon Lip To Lip Ove Janiya Jaago Mohan Pyaare Ove Jaaniye (Reprise) MASAAN 2015 Tu Kisi Rail Si Mann Kasturi Bhor Welcome Zindagi Marathi 2015 Jaguni Ghe Zara Sune Sune Life Ka Funda Welcome Zindagi Uvaa 2015 Jiyo Lalla Ishq Fobiya Vande Mataram Natani Ishq Fobiya Drishyam (2015 film) Carbon Copy Dum Ghutta Ha Kab Kahan Se Kya Pataa Bahubali: The Beginning Jeeva Nadhi Dheerane Irulkonda Moochile Manohari Pachai Thee Siva Sivaya Dheerane (English Version) The Shaukeens Alcoholic Meherbani Manali Trance Aashiq Mizaaj Lonely Ishq Kutta Hai Holiday: A Soldier Is Never Off Duty Tu Hi To Hai Aaj Dil Shayrana Blame the Night Palang Tod Ke Tu hi To Hai (film version) Ashq Na Ho Palang Tod Ke Humshakals Caller Tune Piya Ke Bazaar Mein Look Into My Eyes Barbaad Raat Hum Pagal Nahi Hai Khol De Dil Ki Khidki Chal Bhaag (2014 Teri Maujudgi Madam Ji Teri Maujudgi Daba Kar Dum Doggy Bhage Re Ras Bhari Bhari Hawaa Hawaai (2014) Sar-Utha-Ke Choolhe-Ke-Angaarey Hawaa-Hawaai-Title Sapnon-Ko-Ginte-Ginte Ghoom-Gayi Manjunath (2014) Amma Gol The Rock Song Shlokas Machhli Jal Ki Rani Hai (2014) Machhli Bade Bhaiya Rangbaaz Sau Dil Bhi Hote Saturday Night Hai Machhli (Remix) Mumbai 125 KM (Oct 17, 2014) ® Tere Bina Nanhi Si Gum Gum Ringa Ringa Saazish 3 A.M. (Sep 26, 2014) ® Teri Adaaon Mein Meherbaan Sab Bhulake Tera Shukriya Teri Adaaon Mein (Remix) Tera Shukriya (Remix) Raeth Ki Tarah Aa Gaye Munde U.K. De (2014) © Aa Gaye Munde U.K. De (Title Track) Tere Hi Naal Tere Faasle Chori Chori Pasand Apni ABCD - Any Body Can Dance - 2 (Jun 19, 2015) © Bezubaan Phir Se Naach Meri Jaan Sun Saathiya Vande Mataram Chunar Happy Birthday (Rap Song) Happy Hour If You Hold My Hand Hey Ganaraya Tattoo Adharm (Jan 1, 2009) Abb Mere Hee Ghar Ayegi Tanhayi Janey Kiya Kya Tune Ishara Jeev Levega Re Kya Too Jan Levega Re Maine Kabhi Socha Nahee Rowan Ankhiya Dil Ghabraye Agnisakshi (Mar 29, 1996) (C) O Piya O Piya O Yaara Dil Lagana Wada Karo Dil Se Mere Kaleje Se Tu Meri Gulfam Hai Mujhko Dilbar Yaar Amit Sahni Ki List (Jul 18, 2014) ® Ab Mein Kya Karoon What the "FARK" Pyar Hai Kutti Cheez Aisi Hi Hoon Mein Sargoshi Waakeyi Parchhai Violin Recital Badlapur Boys (Dec 12, 2014) ® Badlapur Boys Jhinka Chika More Saiyyan Do Akhiyyan Shaan, Mahalakshmi Badmashiyaan - Fun Never Ends (Mar 6, 2015) ® Ankit Tiwari Komail Shayan Mika Singh,Jaspreet Jasz Manish J. Tipu Shilpa Rao Anupam Amod DJ Kiran Kamath Bang Bang! (Oct 2, 2014) ® Tu Meri Meherbaan Uff Bang Bang Meherbaan (Reprise version) Barkhaa (Mar 27, 2015) ® Naughty No.1 Tu Itni Khoobsurat Hai Pehli Dafa Lafze Bayaan Khuda Bhi Na Dikhe Mann Quanto Maula Bhopal: A Prayer For Rain (Dec 5, 2014) ® Sun Zara Abr e Karam Dhuan Dhuan Bombay Velvet (May 15, 2015) © Fifi Aam Hindustani Mohabbat Buri Bimari (Version 2) Mohobbat Buri Bimari (Version 3) Kha Kha Ga Dhadaam Dhadaam Naak Pe Gussa Sylvia Darbaan Shut Up Behroopia The Bombay Velvet Theme Conspiracy Tommy Gun Mohobbat Buri Bimari (Version 1) Calcutta Mail (Sep 5, 2003) Aaja O Rasiya Aaleiba Gori Gori Heron Ka Hero Hey Mama Mama Chhal (Aug 9, 2002) © Chhal (Extended Mix) Chhal Chup Chaap Chup Chaap II Dil Jhanjhanale Gum Sum Darna Mana Hai (Jul 25, 2003) Darna Mana Hai Darna Mana Hai Remix Homework Jo Dar Gaya Voh Mar Gaya No Smoking Stop Desi Kattey (Sep 26, 2014) ® Tak Dhoom Albeliya Bas Tum Ho Daagh De Patnewaali (Movie Version) Patnewaali Patnewaali (Dj Mix) Dharam Sankat Mein (Apr 10, 2015) ® Tu Takke Shiv Tandav Tu Takke MBA Swag (Remix) Neelanand Allah Hoo (Ravi Chowdhury Version) Allah Hoo (Pardeep Sran Version) Do You Know Baby Neelanand (Remix) Dil Pe Mat Le Yaar (Sep 29, 2000) Dil Pe Mat Le Yaar Lai Ja Re Badra Jee Jee Chal Padi Haule Haule Paagal Swagatham Dirty Politics (Mar 6, 2015) ® Ghaghara Chal Dum Gabbar Is Back (May 1, 2015) © Teri Meri Kahaani Aao Raja Promo Cofee Peetey Peetey Warna Gabbar Aa Jayega Gadar - Ek Prem Katha (Jun 15, 2001) Udja Kale Kawan - Folk Musafir Jaane Wale Main Nikla Gaddi Leke Udja Kale Kawan – Marriage Hum Juda Ho Gaye Udja Kale Kawan – Search Aan Milo Sajna Traditional Shaadi Geet Udja Kale Kawan – Victory Guddu Rangeela (Jul 3, 2015) Mata Ka Email Sooiyan Sahebaan Guddu Rangeela (Title Track) Guddu Rangeela (Remix) Ek Adhbut Dakshina: Guru Dakshina (2015) Jhoot Kapat Baat Ek Hai Jo Hota Hai Zara Zara Hadh: Life On The Edge Of Death (Mar 2, 2001) Hing La La Aangoori Badan Kya Hoti Hai Tere Dil Ne Hum Hai Teen Khurafaati (Nov 28, 2014) Khurafaati Dil Jugaadu Mohalle Mein Hookah Chupke Se Hunterrr (Mar 20, 2015) Bachpan Chori Chori Dil Lagaana Hunterrr 303 Naina Thaali Hai Khaali Ishq Ke Parindey (Apr 24, 2015) Dil Tod Ke Ek Hatheli Ek Hatheli Remix Ek Hatheli Sad Guru Dakshina(17 April 2015 (India)) Zara Zara Jo Hota Hai Baat Ek Hai Jo Hota Hai Jhoot Kapat Baat Ek Hai Baat Ek Hai Ishqedarriyaan (May 15, 2015) © Judaa Ishqedarriyaan Das Dae Mohabbat Yeh Georgia Sae Jalandhar Mohabbat Yeh (Reprise) Ittefaq (Sep 14, 2001) Bom Mat Maar Dil Dil Dil Main Aashiq Hon Mohabbat Ho Gayee Raaton Ko Tanana Dhir Jai Jawaan Jai Kisaan (Feb 6, 2015) Saj Ke Chali Hai Bharat Ma Jai Jawan Jai Kisan Tital Mere Desh Ka Jawab Nah Ganga Maiya Aahun Aahun Aahun Aahun Kaagaz Ke Fools (Apr 24, 2015) Lafda Pai Gaya Nasha Sharari Rampaa Kuch Kuch Locha Hai (May 8, 2015) © Aao Na Daaru Peeke Dance Ishq Da Maara Kuch Kuch Locha Hai Na Jaane Kya Hai Tumse Waasta Paani Wala Dance Yeh Ishq Life Mein Twist Hai (Dec 12, 2014) ® Minnat Karta Hu Bandgi Tu Meri Ishq Barsa Re Nasamajh Tum Balam Bambai Life Mein Twist Hai Luckhnowi Ishq (Mar 13, 2015) ® Tu Aaina Hai Mera Yaq Ba Yaq Pyari Banno Bomb Kudi (feat. Labh Janjua) Bomb Kudi Main Aur Mr. Labh Janjua) Bomb Kudi Main Aur Mr. Riight (Dec 12, 2014) ® Bhool Na Jaana Desi Daru Jugni (Remix) Khuda Khair Pyaon Pyaon Tatti Wao Na Laggayee Yaar Bina Chain Kaha Re Yaar Bina Chain Kaha Re (Remix Main Madhuri Dixit Banna Chahti Hoon (Oct 10, 2003) (C Makkan Malai Rumi Saab The Duplicates Song Tu Ban Jaayegi Tumse Mili Nazar I Tumse Mili Nazar II Margarita With A Straw (Apr 17, 2015) ® Dusokute Dusokute (Duet) Foreign Balamwa Choone Chali Aasman Meri Aadat Mera Hissa I Need A Man Dont Go Running Off Anytime Soon Aais Aalap Lailas Theme Mary Kom (Sep 5, 2014) ® Ziddi Dil Sukoon Mila Adhure Teri Baari Saudebaazi Salaam India Chaoro (Lori) Meinu Ek Ladki Chaahiye (Sep 26, 2014) ® Gori Chitti Raam naam Ladoo Teri To Jhand Main Sifar Me Nanhe Paon Monsoon (Feb 20, 2015)® Soni Kudi Man Hoya Bawra Maahi Ve Thoda Sa Maula Rasleela Mudda - The Issue (Dec 12, 2003) © Deewangee Deewangi Sad Godanwa Kaise Mein Kahoon Khawabon Male Khwabon Ki Female Kutta Kaate Sapne Saare Mumbai Can Dance Saala (Jan 2, 2015) ® De Di Permission Mahiya Mumbai Can Dance Saalaa Salame Salame Shake My Kamariya Maula Maula Piku (May 8, 2015) Journey Song Bezubaan Lamhe Guzar Gaye Piku Teri Meri Baatein Rang Rasiya/Colors of Passion (Nov 7, 2014) ® Rang Rasiya (title) Kahe Sataye O Kamini Anhad Naad Sun Balam Rang Rasiya (Re-mix ) Sharafat Gayi Tel Lene (Jan 16, 2015) Selfiyaan Dekh Le Kismat Yaar Dil Ka Funda Sharafat Gayi Tel Lene Sonali Cable (Oct 17, 2014) ® EK Mulaqat Gannu Rocks Cheenti Cheenti Bang Bang Mausam Yeh Kyun Badal Gaya Sapney Apney Sikkay EK Mulaqat Ho EK Mulaqat (Unplugged) EK Mulaqat (Reprise) Spark (Oct 10, 2014) Ishq Da Virus Lagaya Khawabo Mein Dekhi Thi Kuchh Lab Pe Hai Meri Jawani Sode Ki Botal Pallu Sambhal Gori Police In Pollywood (05 September 2014 (India)) Dhol Wajhda Ek Tara Bole Jawan Ho Gayi Jo Tere Bin Mahiya Police In Pollywood Super Nani (Oct 31, 2014) ® Nani Maa Dhaani Chunariya Maheroo Maheroo Prabhu Mere Ghar Ko Pyaar Karo Tamanchey (Oct 10, 2014) ® In Da Club Oye Dildara Pyar Mein Dil Pe Maar De Goli Pyar Mein Dil Pe Maar De Goli (Munna And Babu Love Remix) Pyar Mein Dil Pe Maar De Goli (Disco Remix) Dildara (Reprise) Khamakha Hi Tumase Paale Khamakha Hi Tumase Bhidgaye Khamakha (Reprise) Tarkieb (Jan 1, 2000) © Dil Mera Tarse Dupatte Ka Palloo Tujhe Dhundoon Main Kiska Chehra Titoo MBA (Nov 21, 2014) ® O Soniye Plan Bana Le Kya Hua Atyachaari O Ranjhna Kyu Hua Khafa Saiyaan Bedardi (composed by Leonard Victor) Trip to Bhangarh (Aug 22, 2014) ® Mangal Raat Slow Motion Free Of Cost Aaja Ni Suroor Piya Ki Nazariya Ugly (Dec 26, 2014) ® Suraj Hai Kahan Papa Ni Chod De Money Ugly Waisa Bhi Hota Hai: Part 2 (Nov 14, 2003) Aao Aa Jao Aa Bhi Jao Allah Ke Bande Laundiya Ke Pallu Mein My Name Is Gurdeep Saajna Aa Bhi Ja Tum Bas Tum Prem Dunk Yaraana (Oct 20, 1995) Jaadu Jaadu Mera Piya Ghar Aaya Rabi Re Rali Loye Loye Noorani Chehrewale Mohabbat Ki Nazrein Karam Jaane Woh Kaisa Chor Tha Lion Of Gujrat(26 June 2015 (India)) Dhola Mere Dhola Kasumbi No Rang Lagyo Maula Mare Maula Mere O Rang Rasiya Rakta Tapakti Rang Main Dube Ye Rog Mujhe Laga Chabile Hee Ratri Majhi Maitrini PAISA PAISA (MARATHI) Na Koni Doost Yethe Mee Swapna Pahate Tujhe SAIRAT(MARATHI) Yad Lagala Aattach Baya Ka Baavarla Sairat Jhala Ji Zingaat 3. The case of the plaintiff as to how they acquired copyright in the aforesaid songs is articulated in paragraphs 4, 5, 6, 7 and 8 of the plaint and the same read as follows: "4. The Plaintiff Company was incorporated in the year 2002 and is dealing in the business of issuing licenses and protection of copyrights subsisting in sound recordings of the songs contained in films as an assignee, licensee or authorized agent of various copyright holders. The Plaintiff Company has been licensing sound recordings for all forms of exploitation of copyright in sound recordings except the manufacture and sale of physical copies like vinyl discs, audiocassettes and currently compact discs. The rights of the Plaintiff as an assignee of the copyright holder extend to the issuing of licenses on behalf of the copyright holder in respect of the copyrighted works assigned to it, for the performance in hotels and restaurants and other avenues for communication to the public. 5. The Plaintiff Company in pursuance of its business of issuing licenses and protection of the copyrights licensed to it has entered into Assignment Agreements with (1) M/s. ZEE Entertainment Enterprises Limited (hereinafter for the sake of brevity referred to as "ZEE"); (2) M/s. Eros International Medial Limited (hereinafter for the sake of brevity referred to as "EROS") and (3) M/s. Shemaroo Entertainment Limited (hereinafter for the sake of brevity referred to as "SHEMAROO") and has acquired rights in the on ground public performance of sound recordings of the songs contained in the films of said companies. The Plaintiff company is also appointed by M/s. Yash Raj Films Private Limited (hereinafter for the sake of brevity referred to as "YRF") as its authorized agent as per provision of Section 30 of The Copyright Act, 1956 (as amended) for identifying opportunities for the exploitation of the Ground Licence Rights and usages of sound recordings and underlying works in any public avenues with respect to the songs(s) to enable said company to enter into Third Party Agreements throughout the Territory. Further, said YRF has also acknowledged that Plaintiff shall be free to develop a business strategy in order to exploit the licensing opportunities for the exploitation of Song(s) of said company. Further, said YRF has also acknowledged that Plaintiff shall be free to develop a business strategy in order to exploit the licensing opportunities for the exploitation of Song(s) of said company. By virtue of these Assignment Deeds and Agency agreement, the Plaintiff has been assigned/authorised the right to license the copyright in respect of the "On Ground Performance" Rights referred to in Section 14(a)(iii) of the Copyright Act on behalf of the copyright holder in respect of its entire repertoire of songs contained in the films for which the rights have been assigned to the plaintiff. Therefore, the entire copyright with respect to the exploitation of on Ground Performance Rights in the schedule mentioned sound recordings has been exclusively assigned in favour of the plaintiff hereby the original copyright holder. 6. The plaintiff states that the "On Ground Performance" Rights transferred and assigned to the plaintiff are inclusive of the (a) the right of performing the sound recording in public (b) the right to communicate the sound recording to the public by making available for being seen or heard or otherwise enjoyed by the public directly or through any means of display or diffusion regardless of whether any member of the public actually sees, hears or otherwise enjoys the work so communicated or made available. The scope of the term "On Ground Performance" Rights is inclusive of any communication of the sound recordings by playback through any device allowing for such playback to the public during and for the purposes of any ground live events or programs in commercial establishments such as discotheques, banquet halls, clubs, hotels, restaurants, as well as playing of such sound recordings as a background in any on ground live events, parties, etc. The "On Ground Performance" rights shall exclude any broadcast meant for the public in general by means of radio, television, webcasts, Digital Cable, DTH, Satellite Transmission, Internet, Mobile etc., and shall also exclude performance of any underlying works. 7. The Plaintiff states that its repertoire in this regard for which such exclusive "On Ground Performance" rights have been transferred and assigned in its favour by the copyright owners consists of large numbers of songs from the film as well as non-film genre in Hindi and several regional languages many of which are extremely famous and popular songs frequently placed in hotels, discotheques, musical events and live shows and programs. A list of songs for which the exclusive rights have been granted in favour of the plaintiff by virtue of respective agreements with Zee, YRF, Eros and Shemaroo are more fully described in the schedule hereunder. 8. The plaintiff in its capacity as the Assignee/Authorised Agent of the Copyright holders along with the original Copyright holders, Zee, YRF, Eros and Shemaroo have taken the following steps inter alia to enable users of the sound recordings in the copyrighted works to determine the complete details of the ownership in copyright subsisting therein. A list of the music labels in respect of which the "On Ground Performance" rights are vested with the Plaintiff have been made available on the website of the Plaintiff as well as the Copyright Owners, respectively. Moreover, in compliance with Section 52A(1) of the Copyright Act, each physical copy of a sound recording available in the market contains complete details of the ownership of the copyright subsisting therein. Therefore, users of the sound recordings are enabled to identify whether the sound recording falls within the copyright owner's repertoire merely by checking the name of the record label (which is prominently displayed on each CD or other physical format) against the list available on the website." 4. Suit is predicated on the complaint that the plaintiff came to know that the defendants are organizing events in which the aforesaid songs, which shall hereinafter be referred to as "suit songs" are to be played. 5. The plaint is predicated on the ground that the playing of the aforesaid suit songs by the defendants in events in the second defendant Hotel run by first defendant company amounts to infringement of plaintiff's copyright. Under such circumstances, defendants, who have entered appearance, have filed an affidavit which reads as follows: "I, Subba Raman Padur Krishnan, son of P.S. Krishna, Hindu aged about 52 years, residing at F-1 Safari Apartments, Kamatchi Nagar, Valsarvakkam, Chennai-600 087, do hereby solemnly affirm and state as follows: (i) I State that I am a director/authorised signatory of both the 1st and 2nd Defendants herein and I have been authorised by the Board of Directors of both Defendants to represent them in legal matters. (iii) I state that the above suit has been filed for a permanent injunction restraining the Defendants, their men, agents, servants, assigns, heirs, representatives, successors, affidavits or any other persons claiming through/under them from in any manner publicity performing or communicating the sound recordings works of the plaintiff to the public or allowing their premises or any premises under their control to be used for the said purpose without license from the plaintiff or in otherwise infringing copyright in any work owned and licensed by the plaintiff. (iv) I state that the Defendants have received suit summons in the above suit and have also been served by counsel for the plaintiff with a copy of the interim order dated 22.12.2017 passed by this Hon'ble Court. (v) I state that both the Defendants have not played the songs/sound recordings which are the subject matter of this list and have no desire or intention to play the same. However, if at any point of time the Defendants wish to play the same they will do so only after obtaining licence from the plaintiff. I therefore pray that this Hon'ble Court may be pleased to take this affidavit on file and treat the same as an affidavit of undertaking and as such dispense with compliance of para 1 of the order dated 22.12.2017 passed by this Hon'ble court regarding deposit since the Defendants have never played the songs/sound recordings which are the subject matter of this suit much less on the dates mentioned in the Plaint and dismiss the suit on the preliminary ground that there is no cause of action for the same and thus render justice." 6. To be noted, this affidavit, is dated 21.03.2018. 7. Further to be noted, paragraph No. 5 of the aforesaid affidavit is of utmost relevance, as the defendants have very clearly stated that they have not played the suit songs or sound recordings, which is subject matter of the instant suit. Most importantly, defendants have also gone as far as saying if at any point of time they wish to play the same, they will do so only after obtaining license from the plaintiff. 8. This, in effect puts an end to the entire controversy in this lis. Most importantly, defendants have also gone as far as saying if at any point of time they wish to play the same, they will do so only after obtaining license from the plaintiff. 8. This, in effect puts an end to the entire controversy in this lis. In the light of the aforesaid stated position of the defendants, I am of the view that this is a fit case for a summary judgment under Order XIII-A of the Code of Civil Procedure, 1908 ('CPC' for brevity), as amended by the Commercial Courts, Commercial Division and Commercial Appellate Division of High Courts Act, 2015 (4 of 2016). The grounds for summary judgment are adumbrated in Rule 3 of Order XIII-A of CPC, as amended by the Act 4 of 2016. 9. A perusal of the grounds for the summary judgment reveals that summary judgment can be passed when either the plaintiff/s has/have no real prospect of either succeeding qua the claim or when the defendant/s has/have no real prospect of successfully defending the claim. I deem it appropriate to extract Rule 3 of Order XIII-A of CPC, as amended by Act 4 of 2016 and the same reads as follows:- Order XIII(A) of CPC "1. ...... 2. ......... 3. Grounds for summary judgment: The Court may give a summary judgment against a plaintiff or defendant on a claim if it considers that: (a) the plaintiff has no real prospect of succeeding on the claim or the defendant has no real prospect of successfully defending the claim, as the case may be; and (b) there is no other compelling reason why the claim should not be disposed of before recording of oral evidence." 10. In the instant case, in the light of the stand taken by the defendants particularly in the light of the paragraph 5 of the affidavit dated 21.03.2018, which has been alluded to supra, the defendants have no real prospect of successfully defending the claim. 11. To be fair to the defendants, it is the case of the defendants that they do not want to join issues as they have neither infringed plaintiff's copyright nor intend to do so. Defendants have taken a very fair stand, which has lead to the conclusion I have made qua Rule 3 of Order XIII-A extracted supra. 12. An unnumbered paragraph, which follows paragraph 32 of the plaint is the prayer paragraph. Defendants have taken a very fair stand, which has lead to the conclusion I have made qua Rule 3 of Order XIII-A extracted supra. 12. An unnumbered paragraph, which follows paragraph 32 of the plaint is the prayer paragraph. I deem it appropriate to extract that unnumbered paragraph (prayer paragraph), which reads as follows: "For all the reasons stated above, it is most respectfully prayed that this Hon'ble Court may be pleased to pass a judgment and decree: a. For a permanent injunction restraining the defendants, their men, agents, servants, assigns, heirs, representatives, successors, affiliates or any other persons claiming through/under them from in any manner publicly performing or communicating the sound recordings works of the plaintiff to the public or allowing their premises or any premises under their control to be used for the said purpose without license from the plaintiff or in otherwise infringing copyright in any work owned and licensed by the plaintiff. b. Costs of the suit; and c. Pass such further or other orders as this Hon'ble Court may deem fit and proper in the circumstances of the case and thereby render Justice." 13. A perusal of the prayer in the plaint would reveal that sub-paragraph (a) of the unnumbered paragraph is answered in favour of the plaintiff in the light of the stand taken by the defendants. 14. Sub-paragraph (b) pertains to costs. 15. In the light of the very fair stand taken by the defendants and the fair submissions made by Mr. Najeeb Usman Khan, learned counsel appearing for the defendants, I am of the view that this is not a fit case for awarding costs. Therefore, there shall be no costs. 16. With regard to sub paragraph (c), it is only a residuary limb of the prayer and in the light of the summary judgment which is being passed, there is no need or necessity to pass any further order under the residuary limb of prayer in this suit. 17. Though obvious, it is made clear that this is a summary judgment under Order XIII-A of CPC, as amended by the Act 4 of 2016 without oral evidence. 18. The suit is decreed on above terms. No costs.